威尼斯双年展特别推荐艺术家白如海-欧洲时报中文版

白如海,1945年生,陕西人。师从李苦禅大师入室弟子申西岚先生。系国家一级美术师,国家友好画院特聘画家;中国美协新疆分会会员,中国书画家协会理事、研究员;中国教育电视台水墨丹青和名家讲堂栏目和央视书画频道签约书画家,中国文化艺术发展促进会会员;陕西省美术馆画师;西安中国画研究院名誉院长。曾在北京、天津、太原、深圳等地举办个展、联展。作品在人民日报、中国书画报等报刊登。作品多次在中国文联、中国书协、美协主办的展赛上入展、获奖;2014年获首届山东国际美术双年展优秀奖等展项。

上法相续功作非凡——记著名书画家白如海

传统书画艺术之技法,非常讲究师徒之间的秘宗相传,是谓“法由师授,功由户出”之论。由是,书画要成造诣,师承何门相当重要。当代著名书画家白如海先生是李苦禅的再传弟子,其师申西岚是李苦禅的入室弟子。白如海画性超人,又有名家授法,所以他的画法亦是正宗一派,起笔落笔可以把笔墨铺陈得游刃有余,无论是作花鸟还是写书法,都有遂心应手可畅志的精气神。一件雄鹰回眸图,非常精妙地体现着李派鹰画形神兼备的造诣!看来白如海学画尽得真传,是一位弘扬师门超能的大手笔!赵子昂有论,书画同源,写竹还需八法通!白如海深谙此论,所以他把习成书法功夫,当成骨法用笔地磐石,先行历练翰墨真谛不遗余力,可以写得诸书皆成,尤善草书的痛快表达!执笔洒脱,落笔自如,笔墨经由心绪驱动,可以写得左蹙右盼如惊电,亦如楚汉相攻战。不但讲究笔法类万物之象,也关注墨法的铺陈变化,笔里有墨,墨里有笔,通篇作品以志在出奇无定则为创作灵魂,以古瘦漓骊半无墨为赏心悦目,可以在一划之间变起伏于锋杪,亦可以在一点之内殊衄挫于毫芒!果然是须臾扫尽数千张,满壁纵横千万字!因为白先生书法历练得相当娴熟,书法可以作出立骨传神的建树,所以他作丹青,就有以书入画的丰富资粮!落笔如凌空杀纸,起笔可见鸾凤徘徊,笔笔到位画风竹,可以对境造意,把竹的生态物象画得惟妙惟肖,也把竹的文化意象画得萧萧峥嵘!其竹有骨、有肉,所以形态源自然,又经过写生视觉经验的提炼,进一步画出了胸中气象。枝摇曳,叶婆娑,竹里有风最有动感!不呆不滞,满满的君子意象,足足的文化格局!把生态竹与文化竹合为一体,当然可以在色不碍墨,墨不碍色的渲染中,成为当代画风竹的第一笔!这就是他法取师门,可以化他法为我创新所用的丹青智慧。师而不拘,自拥一格!凡属贤能,尽皆如是!白先生画风竹,拥有了自己的艺术领地!然而他的画题相当博涉,凡取一物入画,必是泊满东方审美的精气神!善用胭脂水墨画龙梅,最有盛世当歌的大精神!笔作梅枝是谓龙,彩落点染是谓凤,龙凤梅题,既有磅礴之势,也有飞仪之动!成为盛世中国的代言,挂一件在厅堂,当然大振心颜,统摄人心!这就是他的绘画作品有专业水准,亦有审美魅力的重要原因!上法相续,功作非凡。白先生取师门上法,经过春秋不辍的磨砺,得法亦为上乘。浓墨重彩写禅荷,浑厚华滋最悦目!画里是笔墨色彩相得益彰的技法,画外则是留得妙荷觉禅风的文化真谛!能画荷而谙禅者,非匠!是谓笔墨通神的智慧者也!

著名书画评论家史峰 2021年6月2日

Bai Ruhai, born in 1945, from Shaanxi. Studied under Master Li Kuchan's disciple Mr. Shen Xilan. He is a national first-class artist and a special painter of the National Friendship Art Academy; Member of Xinjiang Branch of China American Association, Director and Researcher of China Calligraphy and Painters Association; China Education Television Ink Danqing and Famous Lecture Hall Column and CCTV Calligraphy and Painting Channel signed calligraphy and painters, member of China Culture and Art Development Promotion Association; Painter of Shaanxi Provincial Art Museum; Honorary President of Xi'an Academy of Chinese Painting. He has held solo exhibitions and group exhibitions in Beijing, Tianjin, Taiyuan, Shenzhen and other places. His works have been published in People's Daily, China Pictorial and Calligraphy and other newspapers. His works have been exhibited and won awards in exhibitions sponsored by the China Federation of Literature and Literature, the China Book Association, and the American Association; In 2014, he won the first Shandong International Art Biennale Excellence Award and other exhibition items.

The successive works of the Shangfa are extraordinary--the famous calligraphy and painter Bai Ruhai

The techniques of traditional calligraphy and painting art pay great attention to the secret transmission between master and apprentice, which is the theory that "the law is taught by the teacher, and the work is taught by the household". Therefore, in order for calligraphy and painting to become an achievement, it is quite important to inherit He Men from the teacher. Mr. Bai Ruhai, a famous contemporary calligrapher, is a re-disciple of Li Kuchan, and his teacher Shen Xilan is a disciple of Li Kuchan. Bai Ruhai painting is superhuman, and there are famous masters to teach the method, so his painting method is also authentic, starting and falling pen can lay out the pen and ink with ease, whether it is making flowers and birds or writing calligraphy, there is a spirit that can be easily aspired. A picture of an eagle looking back is a very subtle reflection of Li Pai's eagle painting and pine achievements! It seems that Bai Ruhai has learned to paint the truth, and he is a big hand that promotes the super power of the master! Zhao Ziang has a discussion, calligraphy and painting are of the same origin, and writing bamboo still needs eight laws! Bai Ruhai is well versed in this theory, so he treats the practice of calligraphy kung fu as a bone method with a pen rock, and spares no effort to experience the true meaning of Han Mo first, and can write all books, especially good at the painful expression of cursive! The pen is free, the pen is free, the pen and ink are driven by the mind, and you can write left and right like a shock, like a Chu and Han attack. Not only pay attention to the image of all things such as brushwork, but also pay attention to the changes in ink technique, there is ink in the pen, there is a pen in the ink, the whole work is determined to be surprisingly uncertain as the creative soul, and the ancient thin Lili semi-inkless is pleasing to the eye, which can change between strokes and fluctuate in the edge, and can also be frustrated in one point! Sure enough, Xu Yu swept thousands of pictures, full of thousands of words! Because Mr. Bai's calligraphy experience is quite proficient, calligraphy can make achievements that stand up and pass on the gods, so he has rich resources for painting with books as Danqing! The pen is like a volley of killing paper, the pen can see the phoenix wandering, the pen and pen in place to draw the style bamboo, can create intentions for the situation, paint the ecological image of bamboo vividly, and also draw the cultural image of bamboo Xiao Zhengrong! Its bamboo has bones and flesh, so the form is natural, and after the refinement of the visual experience of sketching, it further draws the atmosphere in the chest. The branches are swaying, the leaves are swaying, and the wind in the bamboo is the most dynamic! Not sluggish, full of gentleman's imagery, full of cultural pattern! Integrating ecological bamboo and cultural bamboo into one, of course, it can become the first stroke of contemporary painting style bamboo in the rendering of color does not hinder ink and ink does not hinder color! This is the Danqing wisdom that he has learned from the master, and can turn other methods into my innovation. Teachers are not informal, they have their own style!

All virtuous abilities are the same! Mr. Bai paints style bamboo and has his own artistic territory! However, his painting topics are quite knowledgeable, and anyone who takes something into a painting must be full of the spirit of oriental aesthetics! Make good use of rouge ink to paint Longmei, the most prosperous spirit of song! The pen is a dragon, the color drop point dyeing is a phoenix, and the dragon and phoenix plum theme has both a majestic momentum and a flying instrument! Become the endorsement of prosperous China, hang a piece in the hall, of course, it will be very cheerful and captivating! This is an important reason why his paintings have a professional standard and aesthetic charm! The above law continues and the work is extraordinary. Mr. Bai took the master's door, and after the unremitting tempering in spring and autumn, the method was also superior. Writing Zen lotus in thick ink, rich and colorful is the most pleasing to the eye! In the painting, the technique of brush and ink colors complementing each other, and outside the painting, the cultural essence of Miaohe Jue Zen style is preserved! Those who can draw lotus and know Zen are not craftsmen! It is also a wise person who speaks of God!

Famous calligraphy and painting critic Shi Feng June 2, 2021

‖白如海艺术作品鉴赏‖

‖Appreciation of Bai Ruhai's artworks‖